缝补

当女裁缝安娜把蛋糕放在餐桌上时，她未成年的女儿伊万娜摇了摇头，转身走了。她的丈夫乔文也希望她放弃这个话题。根据医院的说法，安娜用这个姿势庆祝她儿子的生日，他在儿子出生后不久就去世了。他现在20岁了。安娜和许多其他塞尔维亚妇女都有同样的命运，她相信自己的新生儿被人从她身边偷走了，这样婴儿就可以被非法收养以换取金钱。一条新线索给了安娜再次希望的理由。 　　几年前，塞尔维亚爆发了一场骇人听闻的丑闻；由于当局继续阻挠调查，该丑闻的解决仍在进行中。几十年来，在数千起系统性儿童盗窃案中，据说医院在医生、殡仪馆老板和政府雇员的秘密网络的帮助下出售新生儿，并告知父母他们的孩子已经死亡。Miroslav Terzić的电影以女主角的表现力和动人的剧本为特色，精心演绎了一个失落和希望的故事。 　　When seamstress Ana places a cake on the kitchen table, her adolescent daughter Ivana just shakes her head and turns away. Her husband Jovan also wants her to drop the subject. With this gesture, Ana celebrates the birthday of her son who, according to the hospital, died immediately after he was born. He would be 20 years old now. Ana shares the fate with many other Serbian women and believes she had her newborn child stolen from her so the infant could be given up for illegal adoption for money. A new clue gives Ana reason to hope again. 　　A few years ago, an outrageous scandal came to light in Serbia; a scandal whose resolution is still ongoing because the authorities continue to stonewall the investigation. In thousands of cases of systematic child theft over several decades, hospitals are said to have sold newborn babies with the help of a clandestine network of doctors, undertakers and government employees, and informed the parents that their child had died. Featuring an expressive performance from the female lead and a moving screenplay, Miroslav Terzić’s film carefully unfolds a story of loss and hope.