猪离开了它的外套

《猪离开了它的外套》剧情实验Fiction film 　　英文 《Lie Wilderness》 　　65min 　　导演编剧摄像剪辑： 薛鉴羌 　　现场制片： 杜寬宏 　　主演： 楊豐杰 杜寬宏 楊昊豐 鄭欣 薛文蓮 杜麗霞 　　演出： 李雪燕 李建 胡偉華 龍翔 宋麗君 小龍 王旭陽 蘭秀 任亦飛 張凱峰 劉世孝 范凱龍 王偉 任彥 苗卓宇 杜大量 王志國 石研熒 薛月蓮 杜順平 　　音樂： BBW便便丸 霹雳鲁班 凡拉蒙先生 Marks of Deceased 　　故事简介： 　　故事简介： 　　矿上有一户人家的客厅藏着一个盒子，会跑的盒子，盒子里装着光。两个孩子在追逐的游戏中捕捉到了这个盒子，这个盒子自己影射着各种影像的碎片， 让人难以理解的盒子自己做的梦： 小杨的父亲在一次矿难中死去，但父亲留下的阴影挥之不去，这种恐惧深深地埋在了母亲和小杨的心中；在煤矿深井下的小屋内住着一个双头教师，两个小混混为小杨带路；等待他的是一个似曾相识的很难的脑筋急转弯！ 　　Synopsis 　　0 A child living in a dream,he saw a dream,this dream,he woke up,but fall into another dream. 　　1 Kids who lived in Coal mine got some secret agreements with the monsters,Minority children therefore some capacity,and these capabilities have not worth in the adult world,no value.But for children,these capabilities in exchange for the most brutal price. 　　2 Xiao Yang’s father died in a mine,But his father left a lingering,This fear buried deep in the hearts of Xiao Yang and his mother.In the hut which under the coal mine deep well lived a two-heaed teacher.Two small bully leaded the way for Xiao Yang;there is a diffcult riddles which 　　he felt déjà vu waiting for him. 　　小说电影《猪离开了它的外套》 　　阐述： 　　0我的电影内容是讲什么的？ 　　我在描绘一个生活在煤矿的人梦般的短暂的生命历程，束缚和烙印、逼迫和觉悟、各种力在他身上相交，塑造他歪曲他、他抗衡，用时间、用肉体、用梦。 　　这个时代。 　　What does my film want to say? 　　I was describing a short and dreamlike life period of a person living in the coal mine. The restriction and brand, the push and realization, all these forces intertwined on his body, shaping and distorting him, with time, body and dream. 　　1电影不是真实，全是梦境，你只能在它的更深处寻找真实的存在 　　当你生活在这样一个世界里，你发现你醒来也不过是进入另一个梦境。 　　2斗殴、看不见的规则、阴道、矿洞、恐惧、对自己看不到的空间的无法想象，局限的世界和想象力，被神秘的力量引导控制，还停留在这个地方的童年就像是一场噩梦。 　　3关于恐惧的圈套 　　4我从生活和我的体液中提取了这部电影，它就像一个新的物质带给了我新的启示、像碳和木头组合成了铅笔一般。原材料我用了极端的主观和冷漠的旁观两种视角，接着我尝试用童年的“局限的想象”组织这个电影的世界，最后我在考虑怎么使用这个铅笔。 　　Elaborate 　　1 movie is never real,and always a dream.you can only find a real existence in its deeper.when you living in this kind of world,when you wake up you will find you just into another dream. 　　2 fighting,invisible rules,vagina,mined,fear,can not imagine the space which I unseen,limitations of the world and imagination,it controlled by mysterious power.The childhood which stay in here likes a nightmare. 　　3 The trap of fear 　　4 I extracted the film from my life and my body fluids.it was like a new material to bring me a new insight,such like carbon and wood conbined pencil.The raw materials I used the extremely subjective and apsthy on the sidelines of the two perspectives.Then I try to use “limited imagination”of childhood to organize the world of this film, Finally,I am thinking of how to use the pencil.